All shook up broadway cast. All shook up original broadway cast - mp3 | ♫
This synopsis is based on the current licensed version Act One Somewhere in the midwest in the s, Chad, a hip-swiveling, guitar-playing roustabout, is being released from prison "Jailhouse Rock".
Jim, now dressed like Chad, enters and asks Sylvia if she's seen Sandra. Chad interrupts the wedding and declares his love for Natalie, though Natalie decides to not marry him and hit the open road.
Sitting in Sylvia's, the local honky tonkthe whole town sings the blues "Heartbreak Hotel".
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Chad reaffirms his masculinity "Power Of My Love". Despite the circumstances, Jim can't handle this revelation, and he rushes off.
But before Dennis leaves, a leather-jacketed roustabout rides into town "Blue Suede Shoes". Production history[ edit ] The musical had a developmental staging at the Goodspeed Musicals May June 6,with most of the Broadway cast, except for Manley Pope in the lead role of Chad.
Angered with his discovery of Sandra's feelings for Ed, Chad is about to hit him, but he realizes that he can't. Still, this choice points out that these songs, when not song by Elvislose their meaning, particularly when they're put into the service of a Grease-styled story that's not as clever or knowing as Grease.
In another part of the fairgrounds, Mayor Matilda enters, followed, as always, by the silent Sheriff Earl, and she vows to bring the roustabout down "Devil In Disguise".
Later that day, at Sylvia's Honky Tonk, Natalie enters in her greasy cadeau du ciel online dating, and Lorraine has her change into one of her dresses—it is clean and cute and All shook up broadway cast looks lovely.
Still, this is professionally done, deliberately nostalgic, and shamelessly pandering -- three things that have kept the machine of Elvis Presly Enterprises humming along for many years. Dean and Lorraine run off into the night. Sylvia tells Jim that he's crazy to fall for a woman like that, and Jim admonishes Sylvia for having grown cold and bitter.
Ed arrives at the museum and gives Sandra the sonnet. The songs are given to a number of characters -- male and female, white and black -- and all of the cast wisely avoid an Elvis impression, choosing to sing these tunes with a Broadway flair, which means sometimes hamming it up for either comic or sentimental effect.
The musical had a tryout in Chicago at the Cadillac Palace from December 19,through January 23, Chad confesses that it was actually the character of Ed he liked, not Natalie, so he leaves the town.
Ed tells Chad that in order to avoid jail, he should hide in the abandoned fairgrounds just outside town. Chad is excited, and he immediately asks Ed to be his new sidekick.
Chad is in need of a mechanic and he's introduced to Natalie, who is instantly smitten "One Night With You" and promises to fix his broken down bike. After a short argument between Dennis and an out-of-character Ed, Dennis agrees.
She comes upon a couple kissing, and she's stunned to see that it's her precious Dean kissing Lorraine. Dean, the son of Mayor Matilda, enters to tell Lorraine that he thinks she's beautiful. He wonders what she's doing out there this time of night, and she confesses her newfound feelings for him "There's Always Me".
A heartbroken Jim wanders about and runs into Sylvia, who is wearing her best Sunday dress.
In her newfound acceptance of young love, Dean and Lorraine are allowed to be together, and Jim realizes its actually Sylvia that he's loved "Can't Help Falling In Love -reprise". Ed tries to leave, but Sandra is intent on seducing him "Let Yourself Go".
The brides and grooms marry and everyone celebrates falling in love "Burning Love". Jim gives Sylvia a very surprising kiss, and a stunned Sylvia suddenly falls for him. Chad inquires about excitement in the town, and soon discovers the Mamie Eisenhower Decency Act, outlawing "Loud music, public necking, and tight pants.
Chad runs off, and Ed runs off after him.
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So, it may satisfy fans who worship Elvis the icon, those fans who prefer his movies to his recordings. Jim confesses his love for Sandra, but she doesn't even remember meeting him. Chad then convinces them that they would be a "sweet little couple" "That's All Right".
Jim tells Chad that he's in love with a woman who doesn't love him back. He volunteers to take a Shakespearean sonnet to her.
But Sylvia interrupts, and Dean rushes out. In the centre of the fairgrounds, Matilda gathers the townspeople together to both find her son and arrest Chad.
Original Broadway Cast of All Shook Up
It is Natalie, dressed as 'Ed'. But Natalie insists that Chad is the only guy for her. In a nearby dreary little town, Natalie, a young mechanic, is dreaming of love and adventure while she yearns for one true love to take her away, but she doesn't realize that her best friend Dennis has a secret crush on her "Love Me Tender".
Chad asks Dennis to become his sidekick and Dennis accepts.
All Shook Up (musical) - Wikipedia
As Chad bemoans Sandra's lack of attraction to him Dennis comes up with an idea. Christopher Ashley directed, with choreography by Jody Moccia.
She rushes off in pursuit of Chad. Natalie is intrigued by Dennis' new hunting cap, and comes up with the idea of dressing like a Chad-like figure to become "one of the guys".
Ed confesses his love for Chad, but he then takes off his hat and reveals to everyone that he is actually Natalie.
"All Shook Up" Cast - Broadway musical
After Chad exits, Natalie, in an attempt to look more attractive to Chad, puts on the only dress she owns—a tattered old one she uses to clean car engines. When Sandra enters, and Jim also falls for her, even after having just agreed upon the benefits of being alone in life with Sylvia "One Night With You"—reprise.
Mayor Matilda is cracking down on the immoral behaviour that is now running rampant through the town. Chad is stunned and Ed runs off as Jim enters. The idea of the musical makes sense: Matilda promises to throw Chad in jail for what he has done.
Sandra is so moved by the sonnet that she finds herself drawn to this strange-looking young man "One Night With You"—reprise. Elvis tunes, primarily big hits but a couple of oddities most tellingly taken from his '60s soundtracks here and there, are shoehorned into this inconsequential narrative, and they're performed in a splashy fashion, sometimes engaging but more often overblown.
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