‎Flirting with Disaster () directed by David O. Russell • Reviews, film + cast • Letterboxd ‎Flirting with Disaster () directed by David O. Russell • Reviews, film + cast • Letterboxd

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This sets in motion more disasters that will ultimately prove to Mel who his "real" parents are. Russell has been doing his large ensemble cast thing for a long time. I don't really want to watch the mop film to further enhance my judgement although I might watch his debut wanking film so I girlswear online dating unfairly load my opinion in my favour.

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I guess it makes sense because he's gotten pretty good at it and Flirting With Disaster proves he was good from the beginning. Mel and Nancy have just had their first child, and they refuse to name their son until Mel can discover the identity of his biological parents. They quickly realize that Valerie is not Mel's biological mother, and Tina scrambles to get the correct information from the agency database.

Tony and Paul surprise everyone by deciding to tag along on the trip. The film combines its cadre of interesting characters, smart writing, and a quirky spirit for something that works nicely when its momentum picks up. Russell canon, and like Spanking the Monkey it feels entirely separate from his modern body of work.

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Next, the group heads to rural Michigan with the hope of meeting the man whose name appears as the person who delivered infant Mel to the adoption agency. The snappy dialogue is there, along with the somewhat manic characters, but the core element that works is the fact that the primary characters are indeed human beings.

In all honesty, I'm not even convinced Flirting With Disaster is necessarily a 'good film' as such. While Mel and Tina become close, Nancy finds herself flirting with Tony, who returns the compliment, causing friction.

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Tina locates the current address of Mel's biological parents, which turns out to be in rural New Mexico. Also, this is basically character actor porn, with each idiosyncratic performance folding on top of the other and heightening the constructed reality of the picture.

Russell saw Raising Arizona, thought it wasn't nearly disfunctional or digestible enough, and decided to make a Neurotic New Yorker version of that. This leads to a run-in with two ATF agents, Tony and Paul, who are gay and in a relationship with each other.

It is discovered that Tony and Nancy went to high school together. Charges are dismissed, and Fritz Boudreau tells Mel that he is not Mel's father, but only handled Mel's adoption because Mel's biological parents were incapacitated.

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The man, Fritz Boudreau, turns out to be a trucker with a violent streak. Mel who is adopted wants to find his biology parents and has certain hang ups about it including not wanting to name the baby until he finds his origins.

First, Mel is introduced to Valerie, a blond Scandinavian woman with Confederate roots whose twin daughters are at least six inches taller than Mel. He's turning out Oscar contenders every year with them these days, but I had no clue he'd been doing it as far back as Flirting With Disaster is my last watch from the David O.

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As I suspected, it does look as though David O. Russell's "Flirting with Disaster" starts lethargically but builds into something engaging. The film is a breezy little road-trip drama, carried by a genuinely funny script and some wonderful performers in smaller roles.

Russell's career can be divided pretty evenly into 'early good stuff' and 'later complete shite'.

Flirting with Disaster

Which was exactly what he did with a film that goes broader and broader as it goes along, but still remains extraordinarly compelling and entertaining due to, among other aspects, spectacularly blocked scenes. Tina, the sexy but highly incompetent adoption agency employee, decides to accompany Mel, Nancy, and the newborn on a trip to San Diego to meet Mel's biological mother.

It is during dinner that Mel discovers that Richard and Mary had to let Mel be adopted because they were in jail for making and distributing LSD in the late s. While Richard and Mary are more than welcoming, Mel's biological brother Lonnie is overly rude and jealous.

After an adoption agency employee locates his biological mother's name in a database, Mel decides to meet her personally. Artist's impression of me when I saw this cast. The narrative makes a solid foundation for a lively look at different characters and the humorously uncomfortable situations on display.

The trip through rural New Mexico is fraught with more problems, so the whole crowd descends on the front porch of Mel's true biological parents, Richard and Mary Schlichting, to stay the night. However, when he discovers that Mel might be his son, he becomes instantly friendly and lets Mel drive his semi-trailer truckwhich Mel immediately crashes into a Post Office building.

I'll do what I want. Along the way, the trio expands as supporting characters glom on for the ride.

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Meanwhile, Nancy becomes jealous as Tina and Mel begin to flirt. Built around a man searching for his birth parents, Russell's story follows his protagonist cross-country as he looks into leads with the help of his wife and his case worker. It's easy to think that it might be with such a splendid cast and numerous genuinely funny moments.

The trip, of course, does not go as planned, and ends up becoming a tour of the United States.