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Regardless of its roots, the design of its arcana is lost in time —with an ominous root that reemerges in the card sets used by modern-day sorcerers like Aleister Crowley or Alejandro Jodorowsky.
It was in this same manner that the Swiss perceived the Tarot as an alchemical game: In other words, such an attempt as the union of opposites appears to the Christian mentality as devilish, something evil which is not allowed, something belonging to black magic.
One of the greatest contributions Jung made to psychology was tracing the parallels between mental processes and alchemical processes that seek to transform symbolically matter into gold.
The Sun must transform into the Moon; it is the rhythm of life, in whose coincidence lies alchemy. In a way, this is the perennial process of movement, necessary for good psychic health.
Now in the Tarot there is a hermaphroditic figure called the diable [the Devil card]. The symbolic process is an experience in images and of images.
There is an ongoing debate surrounding the origins of the Tarot, and whether this is actually the precedent of the cards that are typically used for amusement purposes.
That would be in alchemy the gold.
In a pack of 78 Tarot cards, much like the 64 hexagrams of the I Ching, an entire mutant mental universe is ciphered, which can be used to form predictions. They are psychological images, symbols we play with, in the same manner that the unconscious seems to play with its contents.
Induring a seminar, Jung spoke about Tarot according to Visions: And it could be also argued that Tarot was already an underlying layer of the collective mind, which is where archetypes are printed —those fundamental images that constitute the psychic constellation of the human being.
It also seems as if the set of pictures in the Tarot cards were distantly descended from the archetypes of transformation, a view that has been confirmed for me in a very enlightening lecture by professor [Rudolph] Bernoulli.
Notes of the Seminar given in —and he stated that these cards are the predecessors of the sets we use to gamble, where red and black represent two opposites, and the division of four —spades, hearts, diamonds and clubs— also corresponds to the symbolism of individualization.
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