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By recounting this crisis from inside her mind, Yizhar dismantles at a stroke the poisoned rhetoric of enmity, the image of the Palestinians as unknowable, distant, threatening.

Khirbet Khizeh is the story which, with the least ambivalence, offers to official Zionist history its strongest, unanswerable, counterpoint. There we were sloshing, talking and chattering, joking and singing, not noisily, but cheerfully, and it was clear: More than one of these criticisms is pre-empted by the story itself, as the narrator tears at his own conscience: Yizhar's offence is therefore double — first to imply that the Jews are perpetrating against the Palestinians the cruelties of their own history, and that the nation is invoking divine sanction in order to do so.

I feel strongly that Israel's existence is vital, but equally strongly that the means that it feels justified to use to sustain itself are unconscionable.

It's war, there are orde All-too-typical U.

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Where have we not lain down? Yizhar's vision is oblique in Khirbet Khizeh, as it is in another famous story, "The Prisoner", in his magnum opus Days of Tziglak, which follows a battalion during the war, as well as in the three-part memoir that started to appear in after a literary silence of nearly 30 years.

You find yourself a place, you lie down in it, and you wait. And when we fixed our sights upon those few houses on the flanks of that unobtrusive hill, from which we were separated by the plantations, the well-tended gardens, and a scattering of wells, we saw that this whole Khirbet Khizeh presented no problem, truly did not justify any further explanation.

By the end of it,Palestinians had become refugees. And then someone came back with some oranges, and we ate oranges.

Reareading: Jacqueline Rose on Khirbet Khizeh | Books | The Guardian

No one knows how to wait like soldiers. We took our positions, set up the machine gun, and were ready to start. Waiting in dug-in khirbet khizeh online dating on the high ground, waiting for an flirting sites kolkata, waiting to move on, waiting in a cease-fire; there is the ruthlessly long waiting, the nervous anxious waiting, and there is also the tedious waiting, that consumes and burns everything, without fire or smoke or purpose or anything.

Because you don't get a country by means of weapons. Inhe had been actively engaged in the offensive against Egypt — another story, "Midnight Convoy", is a tribute to the soldiers that enters exuberantly into the drama of trying to get supplies past the enemy to an army under siege.

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No one was virtuous enough now to powder himself against fleas. In May last year, a law was passed — widely termed the "Nakba Law" — that withdraws government funding from any group judged to be "acting against the principles of the country", which includes the commemoration of the nakba.

Most often it is elevated to the status of a universal moral tale, or taken as evidence of the superior ethics of an army so willing to examine and expose itself the nation's guilt as the key to its redemption.

There is no time or place that soldiers are not waiting and waiting. In JulyIsrael's education ministry announced that the term nakba, introduced two years previously into Palestinian-Israeli textbooks, was to be removed on the grounds that its khirbet khizeh online dating was tantamount to spreading propaganda against Israel.

I sought to drown it out with the din of passing time, to diminish its value, to blunt its edge with the rush of daily life, and I even, occasionally, managed a sober shrug, managed to see that the whole thing had not been so bad after all, congratulating myself on my patience, which is, of course, the brother of true wisdom.

This was what exile was like. Something about them all as they were, and something about one in particular, except that even before the wind had folded its wings, turbid powerfully rushing streams had confounded this small pleasure, until finally there was nothing left of it but a kind of foul miasma.

Any such acquisition is unjust. He was born to Russian immigrants in in Rehovot, in what was then Ottoman Palestine. You cannot read Khirbet Khizeh without experiencing — "body to body" — as a tragedy for the Palestinians. They would beat the camel that was turning the creaking dripping waterwheel until their hands were raw, and kick the old Arab who had stayed behind to make sure the water was drawn, and who, out of eagerness to help and so as not to be useless, held the camel's halter and walked around with it, round and round for long hours, he and the camel together; they would shoot dozens of bullets at a terrified dog until it fell, and they'd get into a murderous argument with someone, and then slip back into boredom and idleness, and vile monotonous meals, biting, chewing, hurling the tin away, kicking it to hell, and adding similar outrages, and waiting for the thing to happen, to take place at once, for something or other to happen, and damn it!

He seems to be suggesting that Israel has usurped the voice of God by inscribing its national plaint into the minds of its subjects in the same way that God issues his spiritual injunction to his people.

We should be wary, however, of seeing this fact as a "tribute to an open society", as Ian McEwan suggested in his Jerusalem prize acceptance speech last month. In the meeantime, however, too many other people are suffering similar fates. Begun two days ago, in sorrow. For one Israeli commentator, the story was true and demonstrated the cruel existential choice presented to the Jewish people by the war.

A proposal in the s that the story be included in the new civics class, which would have ensured that it was discussed as history, was never implemented.

As he walks through the desolate Palestinian landscape, his soldier companion exults in the emptiness which he sees as proof of the superiority of the Zionist pioneers: Then we set off down the slimy gray furrows, which they hadn't had time to sow; we pushed open a big wooden gate set in a mud wall, and walked up a narrow path, between hedges of prickly pears spread with dung and chilly dampness, where deadnettles, fumarias, and flowerless fleshy plants twined in profusion and sprawled under their own damp drab weight, or hid coyly in the recesses of the cactus hedge, and we climbed up the next hill.

The About two weeks ago, there was a review of this republished novella on the back page of the NYTimes book review that I couldn't resist.

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It is published by Granta this month in its first full English translation, first issued by Adina Hoffman for Ibis editions in Jerusalem in His uncle and mentor, Moshe Smilansky, was an agricultural pioneer.

The law effectively criminalises the right of the Palestinian people to remember. Lying and waiting for what would happen. Yizhar's for he was there, a young Israeli intelligence officerthe voices, cascading with a dense allusive modernism, that suggest that no number of wrongs will ever add up to a right.

It had entered me, apparently, with my mother's milk. And when, finally, a pleasant sea breeze blew and slightly ruffled and stirred the screens of dusty filth that hung scorching and angry, a pleasant expectancy also flared up inside you, as though despite everything.

Almost 60 years later, the Afterword, written by a contemporary activist who works with a Palestinian-Israeli peace group, offers hope.

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In lyrical, haunting prose — evocatively rendered into English by Nicholas de Lange and Yaacob Dweck — the narrator describes what was done to the Palestinians in But it is as if, in the charged moment of writing, he already saw that his task was to rescue this history from oblivion.

It was a central tenet of Zionist belief that the Jews were returning to their ancestral home; Chaim Weizmann, first president of Israel, only just lost his struggle to have the Balfour Declaration refer to the right of the Jewish people to "reconstitute" their homeland in Palestine.

We reached a hill, where we crouched under a cactus hedge, and we were ready to eat something, when the man, one Moishe, the company commander, gathered us together, and briefed us about the situation, the lay of the land, and the objective.

From here the village lay spread out before us. When the story was published inthe controversy it provoked was intense — mainly among an older generation who refused to accept that the story had any bearing on the conduct of the war, or if it did, insisting that the policy was justified, or that the narrator's pained consciousness demonstrated that this generation of Israeli soldiers had not been taught to hate the Arab enemy enough.

Renowned for many years as the only tale in Israeli literature to tell the story of the expulsion, Khirbet Khizeh also owes its power and status to the way that it recounts the resistance to memory which this dark episode of Israeli history will provoke in the nation's consciousness: As an American, an outsider, I lack perspective, and must seek primary accounts.

Immediately the sorrowful wail dissolved within you and everyone started thinking about girls.

Khirbet Khizeh, by S. Yizhar | The Times

Khirbet Khizeh tells the story of the expulsion of Palestinian villagers from their home and land during the war that immediately followed the founding of the Israeli state: The Poets of Annexation".

All at once everything seemed to mean something different, more precisely exile. All at once she understands "that it wasn't just about waiting under the sycamore trees to hear what the Jews wanted and then to go home, but that her home and her world had come to a full stop, and everything had turned dark and was collapsing; suddenly she had grasped something inconceivable, terrible, incredible, standing directly before her, real and cruel, body to body, and there was no going back".

In her lengthy account of these disputes, Anita Shapira has suggested that the soldiers themselves were more or less silent in the early debate — as if the victory, which was above all their victory, had turned into a sore too painful to contemplate.

Khirbet Khizeh

And when the one who was bent over his equipment listening and speaking into the wireless receiver in a ceremonial singsong informed us that there was still a wait until zero hour, we each sought and found a dry place to sit or stretch out and wait quietly for things to begin.

The story was now seen as damaging Israel's image of itself. And as usual there was nothing better than being in the flanking company. Not all the responses were hostile.

Formats and Editions of Khirbet Khizeh []

One knelt in a shaded hollow and lay down. I sought to drown it out with the din of passing time, to diminish its value, to blunt its edge with the rush of daily life.

As David Shulman remarks in his afterword to the new edition, Yizhar is well known for such allusions.