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Celant, Germano, and Gianfranco Maraniello. A great many emerged as followers, enablers of the movement Marina Abramovic is consolidating in upstate Hudson, NY. Feminism in a Globalized Present, New York: Fabre, Alexia et tribute telephone megaphone dating. Contemporary Art Museum, Kumamoto, Prismatic Media, Transnational Circuits: Visible Ink Press, Musee des Arts Contemporains au Grand-Hornu, University of Minnesota Press, Postmodern Culture, September, Women Who Transformed Contemporary Art.

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Michael La Chance, "Sacralisation et Profanation du geste preformatif: Caroline Tisdall, et al. Claudia Botin, "Feminismus kann ich nicht ausstehen" Art, April Museum of Contemporary Art, Obrist, Hans-Ulrich and Miyake Akiko, eds. Visitors, she explained, would be wearing white lab smocks and be obliged to sit on wheelchairs during a six hour visit pre-convened via a signed contract.

Both parents were high-ranking partisan army officers in the former Yugoslavia during the Josip Broz regime. Friederike Pezold und Marina Abramovic.

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Visuality and the Ethics of Testimony. Artchronika,and Editions du Regard, Heartney, Eleanor et al. Handbuch der Aktionskunst in Europa. Performance jako partytura," ARTeon, May Untangling Roots of Identity.

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Magadalena Moskalewicz, "Powtrazanie obecnosci: Galerie Charles Cartwright Sweep Me Off My Feet. Laura Malacart, "Performing the Body.

Propositions for the 21st Century. Melbourne International Festival of the Arts Limited, Editions du MAC39, 40, 43, 48, , and Transcript Image,— La Fabrica Editorial, Ballabio, Edith.

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Museo de Arte de Banco de La Republica,97 and Making an Art of Everyday Life. Prestel,12, 20, and Villa Nova de Cerveira: The New Art Practice in Yugoslavia — Viewpoints on Video in the Eighties.

Michael La Chance, "Sacralisation et profanation du geste performatif: Arti Grafiche Bianca e Volta, Live Art Development Agency, 82, and David Zerbib, " La performance est-elle performative? Lucy Powell, " She carved a star in her stomach, fasted for twelve days and nearly suffocated for her art," The Times, July 4,