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Just as she was in the original film, Uhwudong is a tragic figure who empowers herself through her sexuality, using it as a tool spedizioni economiche online dating her quest for vengeance.
Then again, the role was previously played by 80s siren Lee Bo-hee, an almost impossible act to follow. Ownerless Flower comes about at a time when period dramas are all the rage at the Korean box office, stretching from 's Masquerade to last summer's Roaring Currents.
Uhwudong Ownerless Flower 朝鮮豪放女 (2016) Official Korean Trailer HD 1080 HK Neo Film Shop Sexy
The result is an uneven balance between tragic drama and software erotica, peppered with a flurry of revenge tropes, but the film is neither as emotional or seductive as it wants to be.
Yet despite the effort put into the film's craft, it isn't immediately clear if the narrative unfolding before us is supposed to be a ownerless flower uhwudong online dating drama or an elevated exercise in cheap titillation.
Unsure of how to frame its story, Ownerless Flower never quite gets going, though it will quickly fade from memory. Extricating herself from it following her husband's unfaithfulness, she recasts herself as the beguiling courtesan Uhwudong and exacts her revenge on the lecherous men of the noble ranks, eventually making her way to her former spouse and the King.
The plot is bare bones and the direction it eventually takes is easy to suss out early on. But when we are invited to gaze upon her form in protracted sex scenes, the filmmakers delve into exploitation, rather than offer a hint of erotica which might have made the viewer complicit in the film's depiction of patriarchy.
Ownerless Flower Uhwudong
Nude female bodies writhe for the pleasure of a male audience in the opening scene and Uhwudong finds herself in a number of sexual scenarios, but the narrative doesn't merely flit from one flash of skin to the next. With solid set and costume design as well as fluid camerawork, Lee's film evokes the familiar air of its more well-funded commercial brethren, though it is understandably limited in terms of its scale.
Tweet 0 Submit Thirty years after Lee Jang-ho's landmark film Eoh Wu-dong available to watch for free on the Korean Film Archive's Youtube channela period ero that became a surprise critical and commercial hit inLee Soo-sung offers up his own version of the tale, called Ownerless Flower Uhwudong different spelling, same namewhich had a limited theatrical run earlier this year and has its festival premiere in Bucheon.
Period dramas are expensive, so for an indie film like Ownerless Flower to look as good as it does is no small feat.
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Indeed, it's one of three Joseon Era erotic dramas this year, alongside the drab Empire of Lust and the ill-conceived The Treacherous. Another issue that arises from this uncomfortable mix is one of gender politics.
Whereas in erotica connecting scenes are normally just filler, here they are played very seriously but they lack the substance to carry a feature-length narrative. Meanwhile, Baek Do-bin and Yeo Wook-hwan, as the husband and love interest, respectively, are passable but instantly forgettable, which does offer the benefit of placing more emphasis on Uhwudong.
In the title role, Song Eun-chae ably handles herself as the vulnerable young woman, but her soft features don't lend themselves quite so well to the more sinister character she becomes in the film's latter half.
A soft-spoken woman of noble birth is in love with her retainer but is forced into an abusive marriage. Lee's film may be better than the aforementioned titles, but it's also a slog.