An American Werewolf in London () | Afdah An American Werewolf in London () | Afdah

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It is unfair to simply dismiss 'Werewolf' as just a copy of any similar show that preceded it. The idea of a "man on the run" show is as valid as a "hospital show" or a "lawyer show" or "ship in space show" or what have you. Unfortunately the series was canceled shortly after this occurred and the final resolution has never been told Sci-Fi Channel, where are you?!

Terrifying and funny in almost equal measure, John Landis' horror-comedy crosses genres while introducing Rick Baker's astounding make-up effects.

Irreverent of such advice as characters in horror films always are, the two decide to find a short cut Truth to tell, there was a show even called 'Man On The Run' well before the Hulk series, and there were other similarly-themed series like 'Starman', 'The Immortal', 'Otherworld', 'Logan's Run', and even the 'Planet of the Apes' TV series, as well as a parody of 'The Fugitive' that aired at the same time as it did.

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There were other shows that dealt with the supernatural, but they were anthologies like 'The Outer Limits'. David dismisses the encounter stu 1892 dating games a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind.

It's incredible to believe that there were only five postings before this one. ANY Hollywood story must be viewed like any other adaptation, in that the 'facts' were changed where deemed necessary.

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In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full.

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The 'Werewolf' TV series was no more accurate or inaccurate than 'The Howling' or 'An American Werewolf in London' regarding established werewolf lore, but it presented a new and creative series that attempted to bring to the screen the best of everything that happened before while not being simply a copy-cat of those stories.

Underrated Classic of TV Horror 25 March by lodger3 — See all my reviews This has to be one of the most creative and imaginative television shows of the 's.

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The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. This series was the first in a long time, if not the very first, to have a weekly show deal with regular ongoing horror characters in a serious way.

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While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs.

Remember, there weren't many shows even like this at the time or before. These people obviously know nothing of historical werewolf lore outside of film or else they would realize that the whole palm thing was created by Hollywood in the first place.

Almost every culture on earth has legends regarding people transforming into animal form, be it wolf or fox or bear, dating back to the ancient Greek story of King Lycos.

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Some reviews here and elsewhere tend to unjustly compare this series to 'The Fugitive' and 'The Incredible Hulk', as if those are the only two shows centering on a man on the run. This series has many fascinating and compelling levels working in its favor, and it only takes the attention of the viewer to appreciate them.

The driving electric-guitar music, the graphic violence, and the mature themes for a non-'dramatic' show make every episode something new to enjoy. It is doubtful that any film or television series has followed the historical rules regarding lycanthropy.

An American Werewolf in London

The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing although surprisingly and refreshingly scant.

Some previous reviewers have complained about the supposed 'inconsistencies' with werewolf lore, like seeing the pentagram on his own palm as opposed to the palm of his next victim.

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Previous reviews have already outlined the plot so it won't be repeated here. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects.

The original nemesis for 'Werewolf' was played by Chuck Connors, who, through disputes with the producers, was written out and replaced with a new villain called 'Nicholas Remy'.

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